Takuma Nakazi

Takuma has directed or had his hands involved in many of WOW’s most prolific projects for over a decade. Works of note include Tokyo Dense Fog, Wind-Form, Infinity and Tokyo Light Odyssey. His work is less about the medium and more about the various landscapes where each project is conceived. He describes his inspiration coming from the everyday and personal life experiences surrounding us all. Recently Takuma has been focusing his direction towards non-linear storytelling, art works and other installation projects. He is often featured on popular design blogs such as Vimeo Staff Picks and Motionographer.

Credits

Designer / Programmer:Tatsuki Kondo
Producer / Technical Director:Fumihito Anzai

wind form_02

SHISEIDO|2016
This is an installation work for the event of SHISEIDO ULIMUNE 2nd Anniversary that uses wind and an extremely thin, light cloth (organdy). The cloth is blown by the wind, causing it to flutter in various directions and form a three-dimensional shape and pattern of movement. If the wind is removed for a moment, the cloth is pulled down by the force of gravity and as it falls it resumes its original shape. The interwoven shape and movement of the cloth and wind is simple and beautiful, mesmerizing the observer as a persistent, endless natural phenomenon.

About the Exhibition
Many different animations using cloth were created by placing 12 units of air circulators in the inner circle (4.8m diameter) and 18 units in the outer circle (8m diameter), and controlling their respective outputs.

Credits

Designer / Programmer:Tatsuki Kondo
Producer / Technical Director:Fumihito Anzai

Credits

Director:Takuma Nakazi
Visual Art Directors:Daisuke Moriwaki, Tsutomu Miyajima,
Kazunori Kojima
Photographer:Masashi Nagao
Music composer:Tomohiro Nagasaki (WOW)
Production Manegers:Tomomi Nakamura, Yusuke Morooka
Producers:Hiroshi Takahashi, Shinichi Saeki, Yuki Tazaki, Hiroyuki Kojima

TOKYO DENSE FOG

NIKKOR Motion Gallery|2015
These images show the face of Tokyo through a dense fog and the scattering of light. It captures the many faces that Tokyo shows in a day, and transforms into a poetic and dreamy landscape swallowed up by a perfectly white world. The light is scattered by countless droplets of water, shimmering in the air.

About NIKKOR Motion Gallery
The NIKKOR Motion Gallery is a new project on “NIKKOR.com” that introduces a wealth of new opportunities for motion graphic imaging, made possible with NIKKOR lenses. Top artists from a wide range of fields have come together to expand the world of video imaging, and in so doing have created a completely new genre of work made possible thanks to the combination of NIKKOR lenses and Nikon cameras.

NIKKOR Motion Gallery

Credits

Director:Takuma Nakazi
Visual Art Directors:Daisuke Moriwaki, Tsutomu Miyajima,
Kazunori Kojima
Photographer:Masashi Nagao
Music composer:Tomohiro Nagasaki (WOW)
Production Manegers:Tomomi Nakamura, Yusuke Morooka
Producers:Hiroshi Takahashi, Shinichi Saeki, Yuki Tazaki, Hiroyuki Kojima

Credits

WOW
Director:Takuma Nakazi
Visual Designer:Daisuke Moriwaki, Tsutomu Miyajima, Tomoya Kimpara
Producer:Ko Yamamoto
Assistant Producer:Ken Ishii

Hakuten
Production Manager:Tohru Kawakami
Producer:Tomoki Ota

CAMSA
Glass production:Katsuyuki Haruki

Shooting:Beibei, Chun Jie (GB21° Studio)

Fluctuation landscape

The MixC|2021
WOW was responsible for planning, directing, and producing a permanent outdoor installation at The MixC, an ultra-large shopping mall in Shanghai. It has 20 towers, each about 2.3 meters high, with the LEDs tiled in glass, and these are more than 10 meters wide. By placing the work in the overfall that existed in the plaza, it harmonized with the original environment. There are two types of effects, one based on natural phenomena and the other on the night view of Shanghai. The projected images are repeatedly reflected and refracted through the glass. The way it looks constantly varies depending on the surrounding environment and the viewer's position. Which is like a natural landscape always in a state of flux.

Traditionally, video works tend to be valued according to whether they have high resolution or if they have a fixed beginning and end in the time axis. However, we considered that people's imagination is infinite in its resolution and timeline, and this work is born from that idea. If you carefully observe the way the surface of the water and the bottom of the river shake, you will see that the reflected images of the surrounding scenery seem to repeatedly form and collapse. This brings us a strange sensation, and it appears as though we are repeatedly seeing abstract and concrete landscapes. This work is a visual interpretation, based on these experiences, of the unique landscape created by light characteristics such as reflection and refraction.

Credits

WOW
Director:Takuma Nakazi
Visual Designer:Daisuke Moriwaki, Tsutomu Miyajima, Tomoya Kimpara
Producer:Ko Yamamoto
Assistant Producer:Ken Ishii

Hakuten
Production Manager:Tohru Kawakami
Producer:Tomoki Ota

CAMSA
Glass production:Katsuyuki Haruki

Shooting:Beibei, Chun Jie (GB21° Studio)

Credits

Planner / Creative Director:Takuma Nakazi
Director / Designer:Hiroshi Takagishi
Designer:Itsuki Maeshiro, Ryoichi Kuboike
Music:Marihiko Hara
Executive Producer:Hiroshi Takahashi
Producer:Yasuaki Matsui

POEM

Motion Graphics|2021
After seeing the Jomon pottery with my own eyes, I could imagine—from the unique protrusions and patterns—the scenery, natural phenomenon, the appearance and movement of living things, the sounds, and their textures. The design that contains various fragments of information felt like a poem by the Jomon people. While they do not depict the living beings that the Jomon people consumed to survive, the artifacts conveyed their prayer and awe for the living beings that imbued them with life and I believe it is that energy that gave birth to the grotesque yet beautiful shape of Jomon pottery. This work was designed and created based on this image.

Telly Awards 2022
Silver on Non-Broadcast: Craft- Visual Effects
Bronze on Non-Broadcast: Craft- Use of 3D Animation

Credits

Planner / Creative Director:Takuma Nakazi
Director / Designer:Hiroshi Takagishi
Designer:Itsuki Maeshiro, Ryoichi Kuboike
Music:Marihiko Hara
Executive Producer:Hiroshi Takahashi
Producer:Yasuaki Matsui

Credits

WOW
Director : Takuma Nakazi
CG Designer : Kouhei Nakama
Music : Masato Hatanaka
Producer : Shinichi Saeki


Creative Agency : Plus81 Inc.
Director of Photography : Tatsuya Arimori
Lighting : Kazuhide Toya
Technical Artist : Fumihiko Kamemura
Model : Amuru
Hair & Make-up Artist : Yoshikazu Miyamoto
Stylist : Kaoru Watanabe
Prop Stylist : Yumi Nakata
Designer : Heeae Park
Production Manager : Kanako Saito
Producer : Mitsutoshi Nirengi

HEATTECH Function Assets MOVIE

UNIQLO|2021
WOW created an introductory movie of the function of HEATTECH, a heat generation and retention technology from UNIQLO. A person's body emits water molecules at the nanolevel. HEATTECH captures the motions of these water molecules and converts those motions into heat energy. The movie visualizes this function so you can readily and intuitively understand it.

Credits

WOW
Director : Takuma Nakazi
CG Designer : Kouhei Nakama
Music : Masato Hatanaka
Producer : Shinichi Saeki


Creative Agency : Plus81 Inc.
Director of Photography : Tatsuya Arimori
Lighting : Kazuhide Toya
Technical Artist : Fumihiko Kamemura
Model : Amuru
Hair & Make-up Artist : Yoshikazu Miyamoto
Stylist : Kaoru Watanabe
Prop Stylist : Yumi Nakata
Designer : Heeae Park
Production Manager : Kanako Saito
Producer : Mitsutoshi Nirengi